Journalism Stuff

talesofwar:

Real journalism people. Share it.

futurejournalismproject:

Why It’s Time to Rethink Web Video Entirely
Producer Adam Westbrook recently built an essay called The Web Video Problem about how cinematic video content is wrong for the web, and that we can and ought to recreate the visual storytelling experience on the web entirely. Toward that end, he’s working on web publishing house (Hot Pursuit).
He writes:

In visual storytelling on the web we are still talking about images in deliberate sequence. We are juxtaposing these images, either over time (in a linear audio/visual way) or in space (like a web comic might).
If we accept this definition of visual storytelling (in the purest sense) then it doesn’t matter if it’s video, a web comic or even an animated GIF - or a combination of all these and more.
Combine this with the growing capabilities of the web browser, and the connectedness of the internet, and potentially we have the ability to tell dynamic, visual stories in a way that hasn’t been done before.
This excites me very much.

The essay is nicely built and designed with bold, scrolling visuals (using the curtain jquery plug-in, which yes, is very popular these days and can be downloaded here for your own building pleasure) so that you can choose to read the whole thing or just get the highlights. It’s worth checking out. 
Bonus: He provides some great resources on visual storytelling:

A good briefing on the principles of visual storytelling are featured in the second issue of Inside the Story Magazine, available here. If you don’t want to pay for the whole thing, this free articlecovers a lot of the same ground. Scott McCloud’s comic book on comic books is an essential read for visual storytellers. Craig Mod’s essay on Subcompact Publishing informed some of the ideas about thinking web-natively, as did this article by John Pavlus and this piece by Bryan Goldberg. Finally, Steven Benedict’sanalysis of Spielberg’s cinematic storytelling skills demonstrate what visual narrative can acheive, and let Steven Soderbergh tell you why this new thing shouldn’t become like the movie business.

Image: Screenshot from The Web Video Problem

futurejournalismproject:

Why It’s Time to Rethink Web Video Entirely

Producer Adam Westbrook recently built an essay called The Web Video Problem about how cinematic video content is wrong for the web, and that we can and ought to recreate the visual storytelling experience on the web entirely. Toward that end, he’s working on web publishing house (Hot Pursuit).

He writes:

In visual storytelling on the web we are still talking about images in deliberate sequence. We are juxtaposing these images, either over time (in a linear audio/visual way) or in space (like a web comic might).

If we accept this definition of visual storytelling (in the purest sense) then it doesn’t matter if it’s video, a web comic or even an animated GIF - or a combination of all these and more.

Combine this with the growing capabilities of the web browser, and the connectedness of the internet, and potentially we have the ability to tell dynamic, visual stories in a way that hasn’t been done before.

This excites me very much.

The essay is nicely built and designed with bold, scrolling visuals (using the curtain jquery plug-in, which yes, is very popular these days and can be downloaded here for your own building pleasure) so that you can choose to read the whole thing or just get the highlights. It’s worth checking out. 

Bonus: He provides some great resources on visual storytelling:

A good briefing on the principles of visual storytelling are featured in the second issue of Inside the Story Magazine, available here. If you don’t want to pay for the whole thing, this free articlecovers a lot of the same ground. Scott McCloud’s comic book on comic books is an essential read for visual storytellers. Craig Mod’s essay on Subcompact Publishing informed some of the ideas about thinking web-natively, as did this article by John Pavlus and this piece by Bryan Goldberg. Finally, Steven Benedict’sanalysis of Spielberg’s cinematic storytelling skills demonstrate what visual narrative can acheive, and let Steven Soderbergh tell you why this new thing shouldn’t become like the movie business.

Image: Screenshot from The Web Video Problem

poetrysociety:

Day Job of Poets.

poetrysociety:

Day Job of Poets.

New life

optimisticmetamorphosis:

‘I don’t live to work, I work to live.’

A career in journalism is something I’ve always wanted but despite it’s demanding nature, I swore it would never consume my life…. I surprised even myself then when I decided to pick up everything and move over 1500kms away for a job at a rural newspaper.

Yeah, it’s a big move just for a job. But I don’t regret it at all. My job now takes up a LOT of my time but I wouldn’t have my life any other way. I’ve never done anything this drastic and you know what? It feels great that I have taken this chance while it was offered. Not only am I gaining some great journalism experience that can only benefit my career but I’m also gaining some great life experience! I’m trying new things I never thought I would and I’ve met some amazingly friendly and unique people I never new existed.

Many people at home now think my job is my life; little do they realise I have moved for a job and gained a completely new perspective on life.

futurejournalismproject:

In case you missed this a couple weeks ago:

Today, the Sunlight Foundation has unveiled a tool that will help us all with this work. “The tool is, essentially, an open-source plagiarism detection engine,” web developer Kaitlin Devine explained to me. It will scan any text (a news article, e.g.) and compare it with a corpus of press releases and Wikipedia entries. If it finds similar language, you’ll get a notification of a detected “churn” and you’ll be able to take a look at the two sources side by side. You can also use it to check Wikipedia entries for information that may have come from corporate press releases. The tool is based on a similar project released in the United Kingdom two years ago, which the Sunlight Foundation supported with a grant to make it open source. Churnalism will be available both on the website and as a browser extension. Its database of press releases includes those from EurekaAlert! in addition to PR Newswire, PR News Web, Fortune 500 companies, and government sources.

futurejournalismproject:

The story began last week, when Gethard received a question from a fan via the microblogging service Tumblr. As an author and a comedian—he is a member of the sterling comedy troupe Upright Citizens Brigade and has his own show on New York’s public access television—Gethard gets fan queries all the time. But this one was different.

“I know you’ve talked about bout depression and anxiety issues before,” wrote Anonymous, “and if you don’t answer this cause it’s a complete downer I understand but I’m curious if you ever had suicidal thoughts. I admire you and your show and have just been in a really bad place lately. I used to see your show as the last thing I had to look forward to but I haven’t even been back for months and can’t even bring myself out the door to get there without panicking. I’d appreciate any advice really.”

What to do with a plea like this? Anonymous, after all, could just as easily be a merry prankster as a real fan in distress. And moreover Tumblr, used mainly to share funny photos or quick quips, is hardly the platform for nuanced advice on mental health, nor are comedians the ones best suited to dispense such advice. Gethard could have ignored his digital Werther, or he could have adhered to the sensibilities of the Internet and posted a funny photo or a bit of pithy pep. He did neither.

“I want you to know I saw your message about thirty seconds ago and I’m already writing this,” Gethard wrote.

Keep Reading

FJP: Filed under: In which the internet can be a place for hope, action and inspiration.

But editors and professors recognize that the best way to understand the future of journalism lies in learning from and working with students.

And so, Mercer University is starting a $5.6 million project to collaborate with the Macon Newspaper and Georgia Public Radio.

via The New York Times:

Reporters and editors for the 186-year-old paper The Telegraph and the radio station will work out of the campus’s new journalism center, alongside students whom the university expects will do legwork for newspaper and public radio reports, with guidance from their professors and working journalists. 

It’s a plan born in part of desperation. Like many newspapers, The Telegraph has lost circulation and advertising revenue in the last decade, and the public radio station was forced to trim down to one staff member during the recession. 

William D. Underwood, Mercer’s president, expects that by applying what he calls a medical residency model to journalism, all of these players may give the struggling industry a chance to stay alive.

Bonus: This report [PDF] from the New America Foundation entitled “Shaping 21st Century Journalism: Leveraging a ‘Teaching Hospital Model’ in Journalism Education”

(via futurejournalismproject)

futurejournalismproject:

On the Importance of Journalists Understanding Technology


The latest in our conversation with Farai Chideya, in which she discusses her own experiences learning new technologies and how—especially as an entrepreneur in the journalism world—knowing the tech side of things has helped her collaborate, innovate, and pursue great journalism.

theruffledreporter:

The Ashley of two years ago would be in awe of the Ashley of today.

The Ashley of two years ago was a freshman at NYU, just starting out as a contributing writer at Washington Square News. She had no idea what she was doing but boy was she enthusiastic. Cocky, in fact — she assumed moving to…